Tattood chefs drink wine and talk shop over blowtorches, barbecues, and stockpots on portable burners at Rootstock Festival

What is Rootstock?

It’s a massive warehouse. Jazz saxophone reverberates noisily from a variety of hard surfaces. Barbecue smoke scents the air. Hundreds of blue jeans park on or hover above milk crates, the only available seating. The wine in the glasses glows gold like beer. Over in the corner in the dark at the bar we taste six wines before choosing one.

Plain tables and plain signs humbly announce the names of some of the most interesting restaurants in the city: 10 William St; 121BC; Berta; Billy Kwong; Cafe Paci; Ester; Garagistes; Longrain; Sixpenny; Momofuku Sei?bo; Ormeggio; Pinbone and Three Blue Ducks.

Tattood chefs drink wine and talk shop over blowtorches, barbecues, and stockpots on portable burners. A guy accosts me and my plate to ask “Is that the tartare? I’ve had six.”

We visited on Saturday night, but they were out of food. One of the organisers came to talk to us after we complained. “We’re a non-profit organisation.” This interested me, as I find Sydney so commercial. I wanted to know more, so I went back on Sunday night, ate tartare, and begged Mike for an interview. I started by asking “What is Rootstock?”

Mike Benny - Rootstock Festival

Mike Benny – Rootstock Festival

“We wanted to have a festival that wasn’t another regional celebration or Welcome to Australia, not another androgynous festival. We wanted to have a manifesto which was going to encourage people to think about the way they consume food and wine. We knew we had lots of like-minded colleagues and friends who would support us. We wanted to be not-for-profit, supporting the producers, rather than our own bank balances. We wanted the festival to help people meet people who grow things and produce things that are sustainable. We want people to be able to spend time with these people and see what they do and learn from storytelling.

“Our overarching theme is about sustainability, growing things better, putting things on tables that are better, moving towards understanding where produce and things we consume comes from, how it’s made. We wanted a festival in which you could explore those ideas while hanging out with the people who do it. We wanted to make the producers the conversational piece.

Wine is Food

“We wanted to avoid the caste system in which wine was second class in the agenda. Wine is food. It comes from a primary produce crop. It should be firmly on the agenda of food agencies. It beggars belief to me that culturally restaurants are shifting to paddock-to-plate, locavore, sustainable produce, single origin supplies, and yet with wine they throw it out the window. They buy what fits a commercial or cool wine list instead of knowing where their wine comes from and how it’s made.

“People see eggs and they ask ‘are these barn raised or free range raised?’ ‘Are they organic or not?’ It baffles me that wine is not the same. Where did it come from? How was it grown? Is it organic? People should be interested in the process and provenance of wine, the same way they are with food. Food festivals miss this. I think people should be electing to drink wine in the same way.

“There are about 60 different chemicals you can add to wine. Organic certification of wine stops at the winery door. They can still use chemicals in the winemaking process and heavy industrial machinery and whatever else. The same people who are concerned about GMOs and pesticides and free range and livestock hormones will happily sit down and drink a bottle of wine produced in a factory environment, from fruit sourced from industrial agriculture style vineyards, using excess water, and chemical farming. And then when the fruit is brought to the winery it’s produced in a way that homogenises where the fruit comes from to meet quality and consistency standards, using everything from colour fixers to texture and flavour modifiers.”

Ahhhhhh…. that explains the Orange wine bar. This wine would have to be coloured (or bleached?!) to fit into the standardised marketplace.

Mike and the other four Rootstock organisers were taken aback when 13,500 people came through the doors, up from two thousand last year. “People wanted to engage and wanted to learn, and voted with their feet to understand sustainable produce.”

“One very experienced winemaker said it was the best wine event she’s ever attended with the most curious and engaged wine audience she’d ever spoken to. Many of the international winemakers came back for their second year, because they’re so blown away by consumers being interested in wine. So many festivals cater either to trade or just pouring for people to drink a lot.”

Rootstock is a festival of wine AND food.

“A producer of sustainable produce had to be tied to a chef, so you could see the produce, buy the produce, talk to the farmer, then you could see it being used in food by a chef, and then talk to the chef about how to use the produce, and taste the food being used in a finished dish. No festival does that. All the produce was used by a chef next to the produce. It brings a more holistic feel to the festival. To be able to drink amazing wine alongside that…It was so beautiful on Sunday. It smelled and felt like a farm. It was so alive with people, with the sense of rural space. It was incredible. Food spilling over everything.”

Unlike most food and wine festivals, producers can’t just purchase stall space. First they have to be invited to apply. Then the organisers assess whether the winemaker satisfies the Rootstock Manifesto. Then the organisers taste the wine. Those that pass the taste test are further evaluated according to sulphur level. While there isn’t a numeric boundary, if the sulphur is high, that winemaker would be invited to present a different wine. “If they’re notably high in sulphur, it restricts the natural expression of the wine.” Finally, the winemaker is required to be present at the stall in person. PR people are not invited.

mclaren-vale-sustainable-winegrowingSo here’s a festival that is more than a form of advertising, open to anyone with the cash, a festival with principles and the rigour to stick with them, a festival that is opening up the culture of wine, and pushing forward the very definitions of organic and sustainable. On top of all that, the thing that impressed me most is Rootstock’s understanding of itself as an educational/developmental event for the producers themselves. Alongside the free marketplace open to the public, the winemakers’ events were reserved for the winemakers themselves to talk, teach, eat together, and taste one another’s wines. Rootstock provided free entries only to international winemakers, with the aim of encouraging interchange between Australian producers, new to sustainable natural wine and more experienced and established foreign producers. 110 people participated, “including some very establishment winemakers, who were there to learn.”

And in order to enhance this function of the festival, the date for the 2014 festival is being moved from February to August, a time between the global harvests, to maximise the presence of international winemakers.

Beyond the Rootstock Festival

wineboysBeyond the festival, which is an opportunity for people to meet winemakers and taste natural wines, the Rootstock collective wants to promote voluntary ingredient labelling for wine. “If everyone knew what was going on in their wine, more people might be questioning what they’re consuming in terms of their wine choices.” And beyond that is the possibility for sustainability certification. Mike points out that the 94% of New Zealand vineyards are certified under the New Zealand Wine Sustainability Compact. In Australia, only the McLaren Valley region has a sustainability charter, currently adhered to by growers of about 53% of the region’s production. “The charter includes soil profile mapping, water, and waste management, with quality standards for certain wines to get people to focus on micro-growing.” The program was developed by Irina Santiago of the University of Adelaide.

Fascinated by all this, I asked Mike about his own work alongside Rootstock.

“I’m a journalist and wine writer and presenter. I talk about wine. My background as a journalist has had me traveling the world broadly and looking at vineyard ecology projects, natural wine growing around the world, and as an extension of that beginning to have conversations in Australia with consumers, winemakers, and regional wine associations about moving towards more natural wine growing.

“Increasingly, regional associations, winemakers and winegrowers have been receptive to me visiting and talking about moving toward more natural wine growing, and showing wines that display a transparency between the grape growing and the finished product. It’s met with some skepticism at times. Australia is a very heavily science-based wine making country, led by college and research institutions that promote the use of science to manage winemaking. So it’s been interesting traveling and listening to people around Australia and New Zealand being interested in less-is-more. Whether that’s the old “la lutte raisonée”, (the reasoned struggle) or just winemakers who want to make sure the crop is healthy, but trying to move away from reliance on science-based farming. People are becoming more receptive.

“There’s an undercurrent of people in Australia –through exposure to new wines from overseas, or local events– moving toward more natural wine growing. Even big companies are putting aside small barrels or small parcels to experiment, to work through their own reasoning. Young producers working as assistant winemakers are sourcing small parcels of fruit and beginning to make their own wines in small batches and releasing them to market – effectively natural wines. There’s a lot going on. It’s a very exciting time in Australia. Because people are getting that they’ve got to be more concerned about how they produce their wine and from where they source their fruit.”

Mike is clearly still high on the kind of energy that Rootstock 2014 gathered. “We started pulling together these people important to us, and the amazing thing is that they all volunteered. No one gets paid. I’m humbled and amazed by the support from 70 volunteers who are people with extraordinarily high commercial profiles. It’s a collaborative festival that relies on spine, heartbeat, veins of program being the people who actually work at it. We provide the impetus, venue, and hopefully the crowd…I was surprised to hear commentators call rootstock a counterculture political movement. We wanted to encourage people to think differently and consume differently, without a heavy agenda. With fun and exploration.” And they did.

“People ask ‘Can you bring Rootstock to Melbourne?’ No. We’re in Sydney. We’re about Sydney, enlivening the city, being part of it, creating culture in the city. We’re not for profit; there’s no reason to go anywhere. It would be nice to roll a national program out. The agenda is focusing on this city and making this city a place that leads by example.”

Visit Rootstock’s website

View Photos from 2014 Rootstock Festival

View Sustainable Wine Growing website

View Mick Bennie’s website

Read article by mike on wine and sustainability

PHOTOS of Rootstock: James Broadway


This interview is an article written for the Australia Food Sovereignty Alliance.

My friend generously invited me to lunch at Martin Boetz' new project, Ruschcutters, which defines itself as "a total food hub with a true sense of spirit and community. ". The restaurant purports to serve food sourced from the Hawkesbury region, including Boetz' own farm.

I am of course pleased to see new and visible advocacy of local food and fresh produce, especially, in the light of the ridiculous Shepparton fiasco ongoing here in New South Wales. And I am pleased to see another high-profile chef committing himself to these issues.

The result, unfortunately, is uninspired and uninspiring. The mission is not, as could be anticipated, lost in pretentiousness or preciousness (at least not in the cafe). The food is ok. But reasonable efforts at rusticness, shared tables, simple presentation fails to evoke in any way farms, quality, or alternativeness.

The space is a converted industrial space which includes a cafe, fine dining area (separated by a low wall), and a private dining room secluded upstairs. The advertising also mentions market, but nothing was for sale on a Tuesday afternoon. It smells like money and interior design, not like food.

Perhaps the rub is that this is a social movement, and the more mainstream it gets, the less it engages the consumer in a sense of agency and participation.

Some obvious evocative tricks absent here are: farm and variety names on the menus, photos of farms or produce, references to seasonality.

Oysters were on the menu. I presume they're local, perhaps even the varieties change with supply and season. But the particularity of today's oysters were not described on the menu nor by our server.

For me, a hallmark of my experience of the local food system is a sense of abundance and I think this is something that restaurants may struggle to pass on. When a vegetable or fruit is at peak season, the farmers practically give it away. Restaurants thrive on taking affordable abundant ingredients and making them seem scarce. And yet if consumers are to embrace local food as a better alternative to processed and out of season forms of consumption, transformative educational spaces, which is what Rushcutters aims to  be, need to shower visitors witperih the real qualities of the alternative.

At the end of a rather insipid dining experience, I once again read the sign greeting visitors at the front of the restaurant. I wrote it down verbatim: "Our farm-to-table style and fresh produce from the Hawkesbury Region is only fifty kilometers away." Reads like one of those Asian t-shirts sporting random popular words, but lacking grammar and meaning.

I hope this restaurant does not turn out to be another version of Groundworks, where farm is reduced to a style of decor.



Is The Grounds of Alexandria overrated, or just overmarketed? We finally made it, after months of discussion. No coffee is worth a 20 minute wait, actually. The donuts were good, but nothing we saw justified the crowds, prices, or wait.

It's amazing how excited city people get about chickens. Then we saw the piglet. Ok, it's amazing how excited we got over a piglet, although he looked a bit lonely. The "farm" doesn't appear to be in use, with the vegetables planted as landscaping, and not appearing to be harvested. The outdoor seating area is pleasant but the mayhem indoors is not, and the food didn't appear to be worth the wait.

Big disappointment.

Until we wandered around the corner to  Salts, Meat, Cheese. The first and best thing to say about this warehouse market is that it's unpretentious. That's a big deal here in Sydney where there's more food hype than food. You can get some supergourmet things here, you can also get some lowbrow imports like Reece's Peanut Butter cups. There are expensive things and cheap things, and enough to look at and explore. Unlike the overpriced Gourmet Grocer in Balmain, prices are clearly marked.

Best of all, there's a happening in the far corner. At first it seems like a bar, with people waiting for attention. Then you realize it's 4 hot boys and a lot of meat. When it was our turn we announced our interest in pairing a cheese and ham for crepes. The relaxed and charming guy who helped us suggested asiago, but when we showed our interest in something else, went right off to get us a sample, and let us try several different proscuittos with it. When we ran out of cheese for the pairing, he got us more. We spent less than we expected, and had a great time. That's the kind of experience that will bring us back.

This market does not offer the level of cheese available at Formaggi Ocello, but the prices are about half. If you want good cheese to cook with, or for a big party, this market would be great. They also have a huge selection of imported dry pastas without jacking up the price like Crown Street Grocer does (and without the impossible wait for someone to ring you up and take your money).

They specialize in house-flavored salts, which are fun to smell and buy and eat.

I'm so excited I don't know what to do with myself. I've just had the opportunity to interview and photograph Melinda Dimitriades of Farmgate. Her main thing there (surrounded with lots of other goodness) is rare breed black pig meat.

I'm going to be posting the whole interview and maybe even some video soon, but what I'm most amped up about is the PIG FAT, so it's getting its own whole post.

  1. Pig fat is not bad for you, after all. It's a big part of the "Mediterranean diet", where they eat slices of lard on toast and use it as salad dressing.
  2. Animal fat is not bad for you, at all. Indeed the #2 healthiest people in the world (after the Japanese) are the Gascon, who live on Duck Fat.
  3. Animal fat is delicious. Pork fat has one of the cleanest, lightest, tastes, and flakiest texture. This is why our grandmothers (who knew what they were doing) always used pig lard to make pastry crusts (especially pies). That kind of lard is made from just one part of the fat. The rest of the fat can be used as a high heat tolerant cooking oil (roast vegetables, etc.)

Melinda sent me away from the interview with an odd gift, 4 kilos of pig fat that I'd just been filming her trim as she butchered.

I've got a fridge full of this. People are scared of it. They've been brainwashed to believe that pork should be lean. The problem is, I've paid for it when I buy the animal, and in order to make a living I have to get as much value out of the animal as I can. And these delicious rare breed pigs, with the healthy red meat full of iron, carry more fat. They're pasture raised, so they can get a little lazy sometimes, and when it's hot they lay around more. If it weren't for my shop and me buying these pigs, this farmer wouldn't raise them. The big meat distributors won't pay for a pig with more fat.

I'm not scared of fat or pigs, or cooking, so I tried to follow Melinda's instructions. "Put it in a pot with some water and melt it. You're looking for that beautiful snowy white stuff. Once it's melted drain it through a clean cloth (I used coffee filters) to remove any little bits of meat, because those will cause it to spoil. If it's clean it will last for months."

Well I assumed it was supposed to all melt, so I cooked it all day. When it still hadn't melted I consulted the interweb. Fascinating that you can find sooo many recipes for molten chocolate cake, but almost none for making your own lard. Way down the bottom of one of the instructions, none of which were very precise, I found mention of "you won't be able to eat all the cracklings, so feed some of them to your dogs." Is this the cracklings? The pork fat that doesn't melt? Ok, I've now learned from Slate.com's  that I should have cut up the fat. This would increase the surface area so it all gets to melt. And that there's a book about meat fat which covers the topic from health science to recipes by Jennifer McLagen.


Well I gave up for a while and when I went back into the kitchen after a few hours, I found the beautiful white stuff!